The last Beatles album, Let It Be, was released 49 years ago, on May 8, 1970. As we approach a half-century without the Fab Four, I decided to take a shot at the Lost Beatles Album Game. This game is a favorite among Beatles fans the world over. The idea is to create one more Beatles studio album from their collective output in the period following the breakup of the group.
Sheryl Crow and Johnny Cash duet across space and time
Sheryl Crow’s latest single is a duet between her and singer Johnny Cash on her song “Redemption Day,” although the pair’s vocals are sixteen years apart and separated by the grave. But because the two performers knew each other and Cash talked to Sheryl about the song before he recorded it, this project seems heartfelt and unforced, as well as timely.
Johnny Cash, one of music’s consummate entertainers, could sing a duet with just about anyone…and did.
Johnny Cash could sit down with a guitar and sing with just about anyone. As a singer and songwriter and something of an outlaw, Cash could spot young talent and he was eager to give young performers a shot on his television show where he would frequently sit and perform with the most talented singers and songwriters of the day.
In 1972 and 1973 Yoko Ono released two of her most successful albums, Approximately Infinite Universeand Feeling the Space. Both of these albums are focused on issues of women’s rights and the pain of living in a male-dominated world, and they contain some of Ono’s sharpest and most interesting songwriting as well as an attempt to create music that sounded like rock music of the time in order to carry her message forth.
Iggy Pop’s ‘Haitian Nightmare’ turns into a quirky album
Zombie Birdhouse, Iggy Pop’s strange and long out of print album from the early 80s, is being reissued in June 2019 by Caroline Records. Most listeners were pretty confused by the album, which wasn’t like anything else in his discography (and remains unique) and it quietly disappeared into the used vinyl and CD market. It’s interesting to hear the record now being marketed as something of a ‘lost classic,’ but the time may be right to hear what the influence of this album might have been.
10CC was one of those bands that were simply too clever for their own good. Once they had established themselves as a band of gifted songwriters with a knack for puns and a slightly warped sense of humor as well as instrumentalists who could play in almost any popular musical style, their more genuine, pop-oriented work was viewed with suspicion. Yet those lured in by the pop songs could never quite warm up to the group’s cynical humor and offbeat musical styling.