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New Directions in Music

"I'll play it and tell you what it is later" -Miles Davis-

New Directions in Music

"I'll play it and tell you what it is later" -Miles Davis-

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David Sanborn: An Appreciation

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David Sanborn was important, not just because of the records he released or even the numerous sessions that he played on, though that is part of the story. He’s an…

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Steely Dan’s Sax Stable

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by Marshall Bowden Steely Dan records feature a lot of studio musicians, increasingly from their first album until the point when they stopped being a working band and became a…

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Punk Jazz

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The bastard love child of no wave and free jazz is real

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Robbie Robertson: ‘Before the Flood’ to ‘Sinematic’

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A look at the legendary songwriter and musician’s solo career

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Tony Allen: The drummer who helped create Afrobeat

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“I want my drums to sound like a piano”

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The Tenor Soul King: King Curtis

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His Kingpins were the only band that could make Booker T sweat

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Terry Riley at 88

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The Twentieth Century’s most important composer is still going strong

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American Garage

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In 1979 the Pat Metheny Group crossed over without selling out

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Astrud Gilberto: The Voice Heard Around the World

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She was the face of bossa nova, but not at home.

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Cynthia Weil and “We Gotta Get Out of This Place”

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Weil’s socially conscious lyrics became the flame of hope in times of despair

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Recent Posts

  • David Sanborn: An Appreciation
  • Steely Dan’s Sax Stable
  • Punk Jazz
  • Robbie Robertson: ‘Before the Flood’ to ‘Sinematic’
  • Tony Allen: The drummer who helped create Afrobeat
  • The Tenor Soul King: King Curtis
  • Terry Riley at 88
  • American Garage
  • Astrud Gilberto: The Voice Heard Around the World
  • Cynthia Weil and “We Gotta Get Out of This Place”

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David Sanborn: An Appreciation

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Steely Dan’s Sax Stable

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Punk Jazz

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Robbie Robertson: ‘Before the Flood’ to ‘Sinematic’

New Directions in Music

"I’ll play it and tell you what it is later" -Miles Davis-

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