A bit messy, but archival edition shows it was better than many remembered
Red Rose Speedway is a watershed album in the Wings catalog, coming as it does between the somewhat remedial Wild Life (which McCartney has also treated to an archival reissue this year) and Band on the Run, which is generally acknowledged to be Paul’s undeniable post-Beatles masterpiece. Neither Red Rose Speedway nor Band on the Run manages to bring Wings out from under Paul’s shadow, but both are worthy albums.
Continue reading Red Rose Speedway/Wings
This piece was written in 2003 when Original Sin was released for the first time on CD by the label CD Baby. The disc was titled Revisited and it featured the full original album plus five additional tracks. However, it failed to preserve the original programming order of the album tracks, opting instead for a random presentation. Revisited is still available on the resale market, however the original album is now available for streaming and MP3 download at both Spotify and Amazon
Continue reading Cowboys International: Original Sin (Revisited) (Again)
Cannonball Adderley Takes Charge
In 1963 Julian “Cannonball” Adderley moved from the Riverside label, where he had recorded some fifteen albums of material, to Capitol Records, where he would find some of his greatest success. Cannonball Adderley Takes Charge presents one of seven master tapes that Capitol acquired along with Adderley himself. Produced by Orrin Keepnews, the recording presents Adderley in spring of 1959. He is accompanied throughout by pianist Wynton Kelly, one of jazz music’s most tasteful and empathetic sidemen, as well as a swinging soloist. On four tracks bassist Paul Chambers and drummer Jimmy Cobb sit in, while the final five selections find brothers Percy and Albert Heath filling those roles.
Continue reading Three by Cannonball Adderley