Skip to content
  • Home
  • ECM Records
  • ECM Review Archive
  • In Ten Tracks
  • Song Remains The Same
    • Guide to Jazz and Other Jazz Resources
    • NDIM Spotify Playlists
  • Who I Am
  • Why Write About Music?
  • Home
  • ECM Records
  • ECM Review Archive
  • In Ten Tracks
  • Song Remains The Same
    • Guide to Jazz and Other Jazz Resources
    • NDIM Spotify Playlists
  • Who I Am
  • Why Write About Music?

New Directions in Music

"I'll play it and tell you what it is later" -Miles Davis-

New Directions in Music

"I'll play it and tell you what it is later" -Miles Davis-

  • Home
  • Start Here
    • Who I Am
    • Why Write About Music?
    • NDIM Spotify Playlists
    • Guide to Jazz and Other Jazz Resources
      • ECM Records
      • ECM Review Archive
  • Song Remains The Same
  • In Ten Tracks
  • NDIM Newsletter
    • Home
    • jazz reissues
Jazz Records

Orrin Keepnews and the Keepnews Collection

admin 1 Comments

Legendary jazz producer Orrin Keepnews started his career in the jazz music industry as a writer. A graduate of Columbia University in NYC, he wrote for the publication The Record…

Read More
Jazz Records

Cannonball Adderley/In San Francisco

admin 1 Comments

In 1959, when In San Francisco was recorded, Cannonball Adderley was riding very high, having reformed his quintet with brother Nat following a stint with Miles Davis (performing on the…

Read More
Jazz Records

Art Blakey & the Jazz Messengers: Caravan

admin 0 Comments

Art Blakey’s Jazz Messengers was one of the longest-running, self-renewing ensembles in the history of jazz music. Beginning (sort of) in 1955 with the group Horace Silver, Kenny Dorham, Hank…

Read More
Jazz Records

Jimmy Heath/Really Big!

admin 0 Comments

Tenor saxophonist Jimmy Heath’s second Riverside album, Really Big! is truly a gem, and for many it will be a previously undiscovered one. The personnel here is, as Keepnews mentions…

Read More
Jazz Records

Joe Henderson/Power to the People

admin 0 Comments

Power to the People is a typical high-quality Joe Henderson affair. It’s a well-known truism that Joe Henderson was, for years, one of the most consistently underrated tenor saxophonists on…

Read More
Jazz Records

Thelonious Monk/Plays Duke Ellington

admin 0 Comments

Thelonious Monk Plays Duke Ellington was designed to get people who thought of Monk and his music as ‘difficult’ and ‘weird’ (and there were already plenty of them in 1955),…

Read More
Jazz Records

Wes Montgomery/The Incredible Jazz Guitar of Wes Montgomery

admin 0 Comments

The Incredible Jazz Guitar of Wes Montgomery is considered by many to be the peak of Montgomery’s recorded work. Stuck firmly between his organ-driven works and his later, more popular/R&B-style…

Read More
Jazz Records

Nat Adderley/Work Song

admin 0 Comments

In his new notes to accompany the Keepnews Collection reissue of Nat Adderley’s Work Song, producer Orrin Keepnews notes that there was a compressed time frame involved in recording guitarist…

Read More
Jazz Records

Flora Purim/Butterfly Dreams

admin 0 Comments

Flora Purim arrived on the American jazz scene in the late 1960s, around the time when Brazilian-influenced percussion and fusion were riding high. Not surprisingly, her discography is heavy on…

Read More
Jazz Records

McCoy Tyner/Fly With the Wind

admin 0 Comments

Strings can be a double-edged sword for jazz musicians. On the one hand, they can add texture and depth to musical arrangements, but they can also easily become overblown and…

Read More

Recent Posts

  • David Sanborn: An Appreciation
  • Steely Dan’s Sax Stable
  • Punk Jazz
  • Robbie Robertson: ‘Before the Flood’ to ‘Sinematic’
  • Tony Allen: The drummer who helped create Afrobeat
  • The Tenor Soul King: King Curtis
  • Terry Riley at 88
  • American Garage
  • Astrud Gilberto: The Voice Heard Around the World
  • Cynthia Weil and “We Gotta Get Out of This Place”

Archives

You Missed

Uncategorized

David Sanborn: An Appreciation

Uncategorized

Steely Dan’s Sax Stable

Uncategorized

Punk Jazz

Uncategorized

Robbie Robertson: ‘Before the Flood’ to ‘Sinematic’

New Directions in Music

"I’ll play it and tell you what it is later" -Miles Davis-

© Copyright 2024 Blogus. All Rights Reserved. by Themeansar