David Axelrod stands as one of a handful of record producers who created a sound that, regardless of the artist with whom he was working, was recognizable as an Axelrod production. Phil Spector possessed a similar ability, as did Willie Mitchell. But Axelrod specialized in a gritty yet elegant sound that owed a great deal to the black urban experience.
The Edge: David Axelrod at Capitol DRecords 1966–1970 collects some of Axelrod’s production work as well as a selection of tracks from his own albums. Although you’ll have to hit the crates to find a number of Axelrod’s releases, this is a decent introductory CD.Continue reading David Axelrod/The Edge: David Axelrod at Capitol Records 1966–1970